Kyoto

Max Valenzuela's song 'Kyoto' delves into the complexities of fame, desire, and personal relationships. The lyrics paint a vivid picture of a young artist grappling with the temptations and pitfalls that come with success. Valenzuela opens with a direct address to a woman, indicating a mutual attraction and a desire to connect on a deeper level. This sets the stage for a narrative that oscillates between moments of intimacy and reflections on the superficiality of certain relationships.

The artist expresses gratitude towards past relationships, referring to them as 'perras' who have served their purpose and are now out of his life. This harsh language underscores a sense of disillusionment with fleeting connections and a yearning for something more substantial. Valenzuela's mention of Ester Expósito, a popular Spanish actress, and Childish Gambino, an influential musician, highlights his immersion in contemporary pop culture and the influence it has on his life and art.

Throughout the song, Valenzuela juxtaposes moments of hedonistic pleasure with introspective musings. He describes sexual encounters and the thrill of living in the fast lane, yet he also acknowledges the emptiness that can accompany such a lifestyle. The references to drugs, alcohol, and strip clubs serve as metaphors for the escapism that fame often brings. Despite the bravado, there is an underlying vulnerability, as he admits to feeling underestimated and misunderstood.

In the latter part of the song, Valenzuela reflects on his journey and the role music has played in his life. He credits his music with saving him from despair, suggesting that his art is both a refuge and a means of self-expression. The shoutout to his brother, Cassielito, adds a personal touch, emphasizing the importance of family and genuine connections amidst the chaos of fame.