Adestrador de Cadela

MC MM's song 'Adestrador de Cadela' delves into themes that are both provocative and controversial. The lyrics revolve around the objectification and sexualization of women, particularly those who are described using derogatory terms such as 'cachorra' (bitch), 'piranha' (slut), and 'sapeca' (naughty). The artist portrays himself as someone who 'trains' these women, using a metaphor that likens women to dogs that need to be controlled and disciplined. This metaphor is not only demeaning but also reflects a broader societal issue of misogyny and the devaluation of women based on their sexual behavior.

The repetition of the phrase 'Nós pega, bota na tcheca, depois solta na banguela' (We grab, put in the tcheca, then release in the banguela) further emphasizes the casual and transactional nature of the sexual encounters described in the song. The lyrics suggest a lack of emotional connection or respect, reducing the act to a mere physical transaction. This portrayal can be seen as a reflection of certain attitudes within some segments of society, where women are judged and valued based on their sexual availability and behavior.

MC MM's musical style, often associated with Brazilian funk, is known for its raw and unfiltered portrayal of life in the favelas. While the genre often highlights the struggles and realities of marginalized communities, it can also perpetuate harmful stereotypes and attitudes. 'Adestrador de Cadela' is a prime example of how music can both reflect and influence societal norms, particularly regarding gender and sexuality. The song's explicit content and controversial themes make it a subject of debate, raising questions about the responsibility of artists in shaping cultural narratives.