Avareza

Xamã Xamã

The Greed of Man: A Social Commentary in Xamã's 'Avareza'

Xamã's song 'Avareza' delves deep into the societal issues and personal struggles faced by individuals in marginalized communities. The title itself, 'Avareza,' which translates to 'Greed,' sets the tone for a critique of materialism and the socio-economic disparities that plague society. The lyrics paint a vivid picture of life in the favelas, where people like João and his mother Luzia grapple with poverty, illness, and the harsh realities of their environment. The song juxtaposes the innocence and cultural richness of these communities with the oppressive forces of greed and corruption.

The recurring mention of 'Santa Maria' and 'ganja' (a colloquial term for marijuana) serves as a metaphor for seeking solace and liberation from the oppressive societal structures. Xamã uses these symbols to highlight the cultural and medicinal significance of marijuana, contrasting it with the criminalization and stigmatization faced by those who use it. The plea to 'libertem Santa Maria' (free Saint Mary) can be seen as a call for freedom from societal constraints and a return to cultural roots and spiritual healing.

Xamã also critiques the commercialization and commodification of art and culture. The 'indústria do cifrão' (industry of the dollar sign) represents the pervasive influence of capitalism, which prioritizes profit over genuine human connection and creativity. The imagery of the 'homem avarento' (greedy man) who 'pôs no bolso o Sol' (put the Sun in his pocket) and 'fabricou para si o céu cinzento' (manufactured a gray sky for himself) underscores the destructive nature of greed, leading to isolation and a loss of true value in life. Through his poignant lyrics, Xamã calls for a reevaluation of societal values and a return to empathy, community, and cultural appreciation.

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  1. Sagitário (part. Gustah)
  2. Escorpião (part. Agnes Nunes)
  3. Preguiça (part. Predella e Nog)
  4. Touro (part. Neo Beats)
  5. O Último Romântico Online
  6. Drácula
  7. Áries
  8. Meia Noite (part. Pedro Lotto e Wey)
  9. Avareza
  10. Leão (part. Marília Mendonça)
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