Die Kusse

Mejibray's 'Die Kusse' is a haunting exploration of the intertwined themes of love, death, and rebirth. The song opens with a command to sing, setting a tone of urgency and escape. The lyrics, a mix of German, Japanese, and English, create a surreal and fragmented narrative that mirrors the chaotic emotions of the speaker. The repeated phrase 'Kiss & rebirth & death' serves as a mantra, emphasizing the cyclical nature of these experiences. The use of German phrases like 'Eins zwei drei vier' adds a rhythmic, almost mechanical quality to the song, contrasting with the emotional depth of the lyrics.

The imagery in 'Die Kusse' is both vivid and symbolic. The 'shining eyes' and 'caressed lips' suggest moments of intimacy and connection, while the 'sickness unto death' introduces a darker, existential element. This phrase, borrowed from the philosopher Søren Kierkegaard, implies a deep, spiritual despair that the speaker tries to escape through love. The song's references to '君' (you) and '最愛のキス' (beloved kiss) highlight the central role of the beloved in this emotional journey. The beloved is both a source of joy and a reminder of mortality, creating a tension that drives the song's narrative.

Culturally, 'Die Kusse' reflects the visual kei movement, of which Mejibray is a part. This genre is known for its elaborate visuals and theatrical performances, often exploring dark and complex themes. The song's blend of languages and its shifting, dreamlike quality are characteristic of this style. The repeated imagery of a 'black sofa' and 'blonde hair' evokes a sense of nostalgia and longing, while the 'empty room' symbolizes isolation and the desire to escape reality. The song's conclusion, with its focus on '最愛' (beloved) and '傷' (wound), encapsulates the duality of love as both a healing and wounding force.