TUNNEL VISION (Demo Version) (Unreleased)

Melanie Martinez's unreleased demo version of 'TUNNEL VISION' delves into the complexities of superficial attraction and the pitfalls of objectification. The song's lyrics paint a vivid picture of someone who is often objectified and misunderstood, yet remains in control of their own narrative. Martinez uses metaphors like 'satanic how I bend my body' to highlight the power dynamics at play, where she is both the object of desire and the one who manipulates that desire. The line 'you can look but you can't touch' underscores her autonomy and the boundaries she sets, making it clear that she is not just 'anybody' to be easily possessed or understood.

The recurring theme of 'eyes on the prize' and 'thought the cherry would be better than the pie' serves as a critique of those who focus solely on superficial gains, missing the deeper, more meaningful aspects of a person. Martinez cleverly uses the metaphor of a garden and a flower to illustrate this point, suggesting that those who are fixated on immediate gratification ('pollination, sensation') fail to appreciate the full beauty and complexity of the 'garden.' This tunnel vision, or narrow focus, leads to their ultimate demise, as they miss out on the richer, more fulfilling experiences that come from genuine connection and understanding.

Martinez also addresses the relentless pursuit and objectification she faces, stating 'they always hustle for the pussy, so they'll never get it.' This line is a powerful assertion of her self-worth and a rejection of those who seek to reduce her to mere physical attributes. The song concludes with a poignant reflection on the consequences of obsession, as she sings 'crossing my heart, I'd rather die than be the needle in your eye.' This final line encapsulates the emotional toll of being objectified and the desire for deeper, more meaningful connections that go beyond superficial desires.