Viejo Caa Catí

Mercedes Sosa's song 'Viejo Caa Catí' is a heartfelt ode to the town of Caa Catí in Corrientes, Argentina. The lyrics are steeped in nostalgia, as Sosa reminisces about the town's past glory and natural beauty. She paints a vivid picture of the town's history, mentioning the 'Fortín cué del norte' and the 'paso de los avá,' which are references to historical and cultural landmarks. The imagery of 'enfilados naranjales' (lined orange groves) and 'chinas maduras quebradas sobre el maizal' (ripe fruits broken over the cornfield) evokes a sense of longing for a simpler, more prosperous time. The song is a lament for the town's decline, as Sosa fears that its streets will be 'sepultadas por el arenal' (buried by the sand).

The chorus of the song describes a journey from Caa Catí to Mburucuyá, a neighboring town, emphasizing the distance and effort required to traverse the landscape. The mention of the 'bravo Santa Lucía' river and the 'nativos yacarés' (native alligators) adds a layer of natural beauty and danger to the setting. The 'cambiante lonja de arena' (changing strip of sand) symbolizes the ever-shifting nature of life and the challenges faced by the town and its people. Sosa's plea to 'arrancarte de tu siesta provinciana' (wake you from your provincial nap) and 'gritarle a tu gente que no te deje morir' (shout to your people not to let you die) is a call to action, urging the residents to revive and preserve their heritage.

Mercedes Sosa, known as 'La Negra,' was a prominent figure in Latin American folk music and a voice for social justice. Her music often addressed themes of cultural identity, social issues, and political activism. In 'Viejo Caa Catí,' Sosa's powerful voice and emotive delivery convey a deep connection to her roots and a desire to see her homeland thrive. The song is a poignant reminder of the importance of remembering and honoring one's heritage while also striving for a better future.