Canción Del Obraje

Mercedes Sosa's 'Canción Del Obraje' is a poignant tribute to the life and struggles of the working class, particularly those who labor in the forests and obrajes (workshops). The song paints a vivid picture of Juan Ponce, a guitarist who brings solace and joy to the hacheros (woodcutters) with his music. The lyrics describe how Juan Ponce arrives at the obraje on Saturdays, almost as if by chance, and how his presence and music lift the spirits of the workers. The imagery of the workers laughing 'de a pedacito' (bit by bit) like 'brasa soplada' (blown embers) evokes a sense of warmth and camaraderie amidst the harshness of their labor.

The song delves deeper into the emotional landscape of Juan Ponce, highlighting his connection to the natural world and his inner turmoil. When he sings in the forest, his 'voz pastosa' (thick voice) seems to blend with the environment, and the 'hacha de la Luna' (axe of the Moon) metaphorically sheds light on the leaves, symbolizing the beauty and pain intertwined in his existence. His zambas (a type of Argentine folk music) are described as blooming flowers, yet his eyes fill with tears when he remembers women, suggesting a longing for lost love or unfulfilled desires. This duality of joy and sorrow is a recurring theme in the song, reflecting the complexities of human emotions.

The final verses of the song portray Juan Ponce as a 'cantor pobre de los montes' (poor singer of the mountains), who is often drunk in the early mornings. The imagery of his guitar and shadow carrying him 'crucificado' (crucified) underscores the idea of sacrifice and suffering. This portrayal of Juan Ponce as a Christ-like figure emphasizes the theme of redemption through art and music, as well as the enduring spirit of those who find solace in their craft despite their hardships. Mercedes Sosa's powerful voice and emotive delivery further amplify the song's themes, making 'Canción Del Obraje' a moving homage to the resilience and humanity of the working class.