Las Estatuas

Mercedes Sosa's song 'Las Estatuas' is a poignant reflection on the statues that populate the plazas of Buenos Aires. Through her evocative lyrics, Sosa personifies these silent figures, imbuing them with a sense of melancholy and solitude. The imagery of statues standing alone in the rain, unable to share an umbrella or experience companionship, serves as a powerful metaphor for isolation and the passage of time. These statues, forever fixed in their positions, are depicted as solemn witnesses to the everyday life that unfolds around them, from the passing carriages to the bustling maids. Their lack of laughter and childhood suggests a life devoid of joy and spontaneity, further emphasizing their role as somber sentinels of history.

The song also touches on the idea of memory and the importance of preserving history. Sosa describes the statues as 'marionetas grandes, quietas,' large, still puppets with whom no one plays. Yet, she warns of the pain that would befall Buenos Aires if these statues were ever erased by a 'sombra mala,' a bad shadow. This line underscores the cultural and historical significance of these statues, suggesting that they are more than mere stone figures; they are keepers of the city's collective memory and identity. Their presence is a silent reminder of the past, and their potential loss would be a profound blow to the city's heritage.

In the final verses, Sosa portrays the statues as guardians of the night, watching over the city until morning and protecting the dreams of little birds. This tender image contrasts with their earlier depiction as lonely and somber, adding a layer of complexity to their character. The statues' silent plea for attention, asking for the 'poca limosna de mirarlas,' the small alms of being looked at, highlights the human need for recognition and remembrance. Through 'Las Estatuas,' Mercedes Sosa invites listeners to reflect on the silent stories that these statues hold and the importance of acknowledging and preserving our shared history.