Los Mareados

Mercedes Sosa Mercedes Sosa

A Farewell Drenched in Melancholy: The Essence of 'Los Mareados'

Mercedes Sosa's rendition of 'Los Mareados' is a poignant exploration of love, loss, and the bittersweet nature of parting ways. The song, originally a tango, is imbued with deep emotional resonance, capturing the essence of a farewell between two lovers who find solace in alcohol to mask their pain. The opening lines set the scene with a vivid image of a woman, 'rara como encendida,' drinking and laughing to avoid crying, highlighting the complex interplay of emotions that often accompany the end of a significant relationship.

The lyrics delve into the sorrow of encountering a former lover, whose eyes still hold a spark of the passion that once was. This encounter is laden with regret and nostalgia, as the protagonist reflects on the beauty and intensity of their past love. The chorus, 'Esta noche, amiga mia, el alcohol nos ha embriagado,' underscores the theme of using alcohol as a temporary escape from the harsh reality of their separation. The term 'los mareados,' which translates to 'the dizzy ones,' metaphorically represents their state of emotional disorientation and the numbing effect of their inebriation.

As the song progresses, it becomes clear that this night marks a definitive end. The lines 'Hoy vas a entrar en mi pasado' and 'Hoy nuevas sendas tomaremos' signify a turning point, where both individuals must move on and forge new paths. The repetition of 'amor, pesar, dolor' encapsulates the lingering impact of their relationship, with love, sorrow, and pain being the enduring remnants. Mercedes Sosa's soulful delivery amplifies the song's emotional depth, making 'Los Mareados' a timeless reflection on the complexities of love and the heartache of letting go.

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  1. Solo Le Pido a Dios
  2. Todo Cambia
  3. Volver A Los 17 (part. Milton Nascimento)
  4. Sueño Con Serpientes
  5. Canción de Las Simples Cosas
  6. Canción y Huayno
  7. María, María
  8. Alfonsina y El Mar
  9. Duerme Negrito
  10. La Pomeña
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