Chamá Maria

“Chamá Maria” by Mestre Ambrósio is a vibrant and evocative song that delves into the heart of traditional Brazilian festivities. The lyrics paint a picture of a lively, albeit chaotic, celebration where people from different backgrounds come together. The mention of “gente antiga, gente estranha” (old people, strange people) and “um da Espanha, um daqui” (one from Spain, one from here) highlights the diverse mix of participants, suggesting a rich cultural tapestry. This diversity is a hallmark of many Brazilian cultural events, where the blending of different traditions creates a unique and dynamic atmosphere.

The song also touches on the hardships and imperfections of these gatherings. Lines like “um brabo bate, um mole apanha” (a tough one hits, a soft one takes it) and “o pagamento é que é ruim” (the payment is what’s bad) hint at the struggles and inequities that can be present. Despite these challenges, the community persists, driven by the joy and spirit of the celebration. The imagery of the “fole emperra, a voz arranha” (the bellows jam, the voice scratches) and “o povo berra, um besta ganha” (the people scream, a fool wins) further emphasizes the raw, unpolished nature of these events, where imperfections are part of the charm.

Central to the song is the figure of Maria, who is called upon to bring order and enchantment to the festivities. The repeated refrain “Vai chamar Maria” (Go call Maria) suggests that Maria is a symbol of harmony and magic, capable of transforming the chaotic scene into something beautiful. Her presence is invoked to “aprumar o canto” (straighten the song) and “encantando, espantando os males a cantar” (enchanting, scaring away the evils by singing). This highlights the power of music and community in overcoming difficulties and creating a sense of unity and joy. Through its vivid imagery and rhythmic cadence, “Chamá Maria” celebrates the resilience and spirit of traditional Brazilian culture, where music and community are central to the human experience.