E da Nossa Cor

Mestre Matias Mestre Matias

Celebrating the Roots of Capoeira: A Tribute to Brazilian Heritage

Mestre Matias' song "E da Nossa Cor" is a vibrant celebration of Brazilian culture, specifically focusing on the rich heritage of Capoeira. The repetitive and rhythmic chant, "Aue aue aue-e lele lelele lelelo," sets a lively tone, reminiscent of the communal and energetic atmosphere of Capoeira rodas (circles). This chant serves as a call to unity and a reminder of the shared cultural identity among practitioners and admirers of this Afro-Brazilian martial art.

The lyrics emphasize the deep connection between Capoeira and Brazilian identity, stating that it is "in the blood and race of Brazilians." This line underscores the idea that Capoeira is not just a physical practice but a significant part of the Brazilian cultural fabric. The song lists various traditional instruments used in Capoeira, such as the berimbau, pandeiro, atabaque, reco-reco, and agogo, each followed by the phrase "E da nossa cor" (It is of our color). This repetition highlights the intrinsic link between these instruments and the Afro-Brazilian community, celebrating their contributions to the art form.

Mestre Matias also pays homage to legendary Capoeira masters, Mestre Bimba and Mestre Pastinha, acknowledging their pivotal roles in shaping and preserving Capoeira. By stating that these masters are "of our color," the song honors their legacy and reinforces the pride in Afro-Brazilian heritage. The song serves as both a tribute and a reminder of the resilience and creativity of the Afro-Brazilian people, who have kept their traditions alive through generations.

"E da Nossa Cor" is more than just a song; it is a powerful affirmation of cultural identity and a celebration of the enduring spirit of Capoeira. It invites listeners to recognize and appreciate the deep roots and vibrant history of this unique Brazilian art form.

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  1. Luanda
  2. Quem Vem La Sou Eu
  3. E da Nossa Cor
  4. Capoeira o Jogo Praticado
  5. E Defesa Ataque
  6. Veja Veja
  7. Vou Embora Pra Bahia
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