Woman Is Still a Woman

Michelle Gurevich's song "Woman Is Still a Woman" delves into the complexities of female identity and societal expectations. The lyrics reflect a yearning for simplicity and authenticity, as expressed in the repeated desire to just be a lady on Tuesday afternoons. This longing for a moment of unadulterated femininity contrasts sharply with the multifaceted roles women are often compelled to play in modern society.

The song employs various metaphors and cultural references to explore these themes. The line about a woodchuck chucking wood hints at the inherent nature of individuals, suggesting that certain traits are inescapable. The mention of girls in boots at the dead end of the road evokes a sense of rebellion and nonconformity, while the idea that every king dreams of being exposed speaks to the universal human desire for vulnerability and authenticity. Gurevich's lyrics suggest that despite societal progress and the pursuit of liberation, fundamental aspects of womanhood remain unchanged.

The song also touches on the paradoxes of liberation and empowerment. While celebrating newfound freedoms, it acknowledges the limitations and societal expectations that persist. The lyrics suggest that true liberation is elusive, as it often becomes another form of constraint or branding. The reference to a PhD and the understanding of primal instincts highlights the tension between intellectual achievements and basic human desires. Ultimately, the song asserts that regardless of societal changes or personal achievements, the essence of being a woman remains constant.

"Woman Is Still a Woman" is a poignant reflection on the enduring nature of female identity amidst the evolving landscape of societal norms and expectations. It captures the timeless struggle for authenticity and the desire to reconcile various facets of one's identity in a world that often imposes conflicting demands.