Estoy Aquí Parado, Sentado y Acostado

Miguel Abuelo's song 'Estoy Aquí Parado, Sentado y Acostado' delves deep into themes of existentialism, identity, and the passage of time. The lyrics paint a vivid picture of a man who feels disconnected from his surroundings and himself. The opening lines, 'Ya he perdido el olor de los duraznos / Mis ojos ven fantasmas en la gente al pasar,' suggest a loss of sensory connection and a haunting perception of reality. This detachment is further emphasized by the transformation he undergoes, 'Hoy soy otro y cuando paso no me ven,' indicating a profound change in his identity that goes unnoticed by others.

The chorus, 'Estoy aquí parado, sentado y acostado / Me han crucificado, pero todo viene y va,' reflects a state of being that is both static and dynamic. The crucifixion metaphor suggests suffering and sacrifice, yet the phrase 'todo viene y va' implies a transient nature of pain and existence. This duality is a central theme in the song, highlighting the cyclical and ephemeral aspects of life. The lyrics also touch on the concept of memory and history, or the lack thereof, as seen in 'Las cosas que yo veo son cosas sin historia / Sin tiempo y sin memoria, son cosas nada más.' This suggests a world stripped of meaning and context, where objects and experiences are devoid of significance.

In the latter part of the song, Abuelo explores themes of isolation and self-discovery. Lines like 'No tengo nombre, no tengo amigos / No tengo lenguaje, no tengo verdad' express a profound sense of alienation and the search for truth. However, there is also a glimmer of hope and resilience in 'Está siempre el canto de la libertad,' indicating that despite the existential despair, the spirit of freedom and liberation persists. The imagery of a miner searching for gold and a gardener nurturing seeds symbolizes the continuous quest for meaning and growth, even in the face of uncertainty and change.