Girls On Film

Mindless Self Indulgence's rendition of 'Girls On Film' delves into the often glamorous yet exploitative world of fame and media. The song paints a vivid picture of women being objectified and commodified, as they navigate the treacherous waters of the entertainment industry. The opening lines set the scene with a striking visual of women walking hand in hand across a bridge at midnight, their every move captured by the relentless flash of cameras. This imagery highlights the invasive nature of fame, where privacy is a luxury and every action is scrutinized.

The chorus, repeating 'Girls on film,' underscores the central theme of objectification. The women are reduced to mere images, their identities overshadowed by their appearances. The lyrics 'Lipstick cherry all over the lens as she's falling' and 'miles of sharp blue water coming in where she lies' evoke a sense of vulnerability and danger. The 'diving man coming up for air' symbolizes the fleeting nature of attention and the constant pressure to stay relevant. The crowd's fascination with 'pulling dolly by the hair' further emphasizes the dehumanizing aspect of fame, where individuals are treated as mere playthings for public consumption.

The final verse, with lines like 'Wider, baby, smile and you've just made a million' and 'fuses pumping live heat twisting out on a wire,' captures the intense and often overwhelming experience of being in the spotlight. The song concludes with a sense of fleeting triumph, as the protagonist is 'shooting a star,' a metaphor for the brief and often ephemeral nature of fame. Through its provocative lyrics and imagery, 'Girls On Film' offers a critical commentary on the dark side of the entertainment industry, where the allure of fame often comes at a significant personal cost.