Tenochtitlán

Mon Laferte's 'Tenochtitlán' is a powerful song that delves into themes of discrimination, resilience, and cultural identity. The lyrics present a narrative of a woman facing derogatory remarks and being judged based on her socioeconomic background and nationality. The term 'sudaca' is a derogatory term used in Spain to refer to South Americans, and its use in the song highlights the discrimination faced by the protagonist. The repeated questions about her worth and the insinuation that she must have sold herself to get ahead are a commentary on the prejudice and objectification that women, particularly from less affluent regions, often endure.

The chorus of the song, however, shifts the tone from one of victimization to one of empowerment. The phrase 'Bella, no llores más' (Beautiful, don't cry anymore) and the reference to the sky of Tenochtitlán, the ancient Aztec capital, evoke a sense of pride and connection to one's roots. The song suggests that despite the hardships, there is a spiritual and cultural heritage that uplifts and provides strength. The invocation of the Virgin Mary, a figure deeply rooted in Latin American Catholicism, further emphasizes the theme of seeking solace and protection from a higher power.

'Tenochtitlán' is not just a song about the struggles faced by individuals from marginalized communities; it is also a celebration of cultural identity and the inner strength that comes from embracing one's heritage. Mon Laferte, a Chilean artist known for her emotional delivery and incorporation of Latin American musical styles, uses her platform to shed light on social issues while also offering a message of hope and resilience.