Esclavos

Nach's song 'Esclavos' delves deep into the dark recesses of human nature, exploring themes of hatred, ignorance, and the destructive power of prejudice. The repeated refrain 'Esclavos, sólo son esclavos' (Slaves, they are only slaves) sets the tone for the entire piece, emphasizing the idea that those who harbor hatred and bigotry are themselves enslaved by these malevolent forces. The lyrics paint a vivid picture of individuals who are 'atados, dominados por espíritus malvados' (tied, dominated by evil spirits), suggesting that their actions are not entirely their own but are driven by deeper, darker influences.

The song's verses are rich with metaphors and stark imagery. Nach describes these individuals as 'muñecos, cráneos huecos, podridos' (puppets, hollow skulls, rotten), highlighting their lack of substance and autonomy. He criticizes their blind adherence to hateful ideologies, symbolized by the 'esbastica' (swastika) and their violent actions against those who are different. The contrast between their public personas and private actions is starkly illustrated in the line about applauding immigrants at the stadium while harboring deep-seated prejudices. This duality underscores the hypocrisy and internal conflict within these 'slaves'.

Nach's powerful use of language serves as both a condemnation and a call to awareness. He likens his words to 'lepra para la piel' (leprosy for the skin), suggesting that his lyrics are meant to expose and erode the facade of these individuals. The song also touches on the broader societal implications of such hatred, with references to 'violencia en la tierra' (violence on the earth) and 'ciudades... islas desiertas' (cities... deserted islands). These lines reflect a world where peace is uncertain, and communities are fractured by fear and animosity. Through 'Esclavos', Nach not only critiques the individuals who perpetuate hatred but also the societal structures that allow such ideologies to flourish.