La Doble Cero

Nacha Guevara's song 'La Doble Cero' is a satirical critique of societal conformity and the pressure to adhere to traditional norms. The lyrics repeatedly urge a young man to cut his hair, symbolizing the broader demand to fit into a rigid societal mold. The song mocks the idea that appearance, particularly short hair, is equated with decency and respectability. This reflects a critique of superficial judgments and the absurdity of equating morality with outward appearances.

The song also references cultural elements like the DiTella Institute, a hub for avant-garde art in Argentina, and happenings, which were experimental art events. These references highlight the tension between traditional values and the emerging counterculture of the 1960s and 70s. By mentioning these, Guevara underscores the clash between the old guard's expectations and the younger generation's desire for self-expression and freedom. The repeated refrain, 'La Doble Cero rechina los dientes,' suggests a menacing force of conformity that grinds its teeth in frustration at those who dare to be different.

Furthermore, the song critiques the hypocrisy of societal norms. It points out that as long as one maintains a 'respectable' appearance, even criminal behavior is overlooked. This is evident in lines like 'Con el pelo bien cortito, de ladrón tenés licencia,' which translates to 'With your hair cut short, you have a license to steal.' Guevara uses irony to expose the absurdity of valuing appearance over integrity. The song's call for a 'valiente' or brave person to confront this societal pressure is a rallying cry for individuality and resistance against oppressive norms.