Rebeldes sin causa

Natos y Waor Natos y Waor

The Unyielding Spirit of the Aimless Rebels

Natos y Waor's song "Rebeldes sin causa" delves into the life of a restless soul navigating through the chaos of urban existence. The lyrics paint a vivid picture of a person who is the last to leave a party and the first to rise on a Monday, embodying a relentless and unyielding spirit. This character is indifferent to the urgency of others, seeking solace in fleeting connections and substances to forget the irretrievable moments of the past. The song captures the essence of living on the edge, where advice given to friends is seldom applied to oneself, and the company kept often includes those on the fringes of society, like ex-convicts and dealers.

The narrative continues with reflections on a legacy left on the walls of the city, where graffiti serves as a testament to a life lived with adrenaline and defiance. The protagonist sings to the full moon like a lone wolf, feeling that the night is never enough to satiate their desires. The imagery of carrying a cross on their shoulders and cobwebs on their elbows symbolizes the burdens and stagnation that come with such a lifestyle. The song also touches on the duality of the protagonist's existence, being a caged beast during the week and a destructive tornado on weekends, surrounded by aimless rebels in parks, eager to grow up but oblivious to the passage of time.

Nostalgia seeps in as the protagonist watches children play, reminiscing about their own lost youth. The lyrics reveal a shift in priorities, where groupies and impulsive fights are left behind, replaced by a deeper appreciation for what they have and a commitment to their craft. Despite this growth, the protagonist remains a 'bicho raro'—a rare creature—struggling with inner demons, as noted by their therapist. The song also addresses the superficiality of fame and the authenticity of their work, emphasizing that their journey is not about money but about staying true to themselves and their art. The closing lines reinforce the bond with their group, standing back-to-back against the world, solidifying their place as a reference point in their community.

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  1. MADRIZ (part. Recycled J)
  2. NO SÉ (part. Recycled J y Lia Kali)
  3. FIRST CLASS (part. Recycled J)
  4. CUANDO NADIE NOS MIRA (part. Recycled J)
  5. OVEJA NEGRA (part. Recycled J)
  6. OTRA VEZ (part. Recycled J)
  7. AHÁ (part. Recycled J y Cruz Cafuné)
  8. LOS NIÑOS DEL BARIO (part. Recycled J)
  9. HIJOS DE LA CAPITAL (part. Recycled J, Charlie Hijos Bastardos y Nasta)
  10. CINCO JOTAS (part. Zaramay)
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