Bambo do Bambu

Ney Matogrosso's song 'Bambo do Bambu' is a vibrant and satirical piece that uses humor and metaphor to critique social norms and human behavior. The repetitive and playful chorus, 'Olha o bambo de bambu, bambu, bambu,' sets a whimsical tone, inviting listeners to engage with the song's deeper messages through its catchy rhythm and playful language.

The first verse describes a banquet at Zé Pequeno's house, where the table is set outdoors to accommodate everyone. Despite the abundance of cutlery and the presence of more men than women, there is nothing to eat. This scenario serves as a metaphor for superficial appearances and the emptiness that can lie beneath them. The banquet, a symbol of abundance and celebration, ironically lacks the most essential element—food—highlighting the absurdity of prioritizing form over substance.

In the second verse, the song takes a darker, more satirical turn. It describes how women at the banquet, to avoid starvation, end up 'eating' their husbands. This grotesque imagery serves as a biting commentary on survival and the lengths to which people will go to sustain themselves. It also subtly critiques gender dynamics and the roles imposed on women and men in society.

The final verse introduces a man with 17 children, all of whom he has diverted into police work. His wife, still promising in beauty, is expected to bear another 17 children before stopping. This exaggerated scenario underscores the pressures of societal expectations and the absurdity of unchecked procreation. It also touches on themes of duty, responsibility, and the often unrealistic demands placed on individuals by societal norms.

Ney Matogrosso, known for his theatrical performances and distinctive voice, uses 'Bambo do Bambu' to blend humor with sharp social critique. The song's playful surface masks a deeper exploration of human folly, societal expectations, and the often absurd nature of social conventions.