Wannabe

Niña Polaca's song 'Wannabe' is a sharp, satirical commentary on social pretensions and the struggle for identity within certain subcultures. The lyrics paint a vivid picture of a scene where appearances and superficial markers of belonging, such as wearing black or having tattoos, dictate one's social standing. The line 'Que de repente me entero que si no vas de negro y no tienes tinta hasta en el pelo aquí no eres nadie no puedes entrar' highlights the absurdity of these arbitrary standards, suggesting that without conforming to these visual cues, one is deemed insignificant or unworthy of inclusion.

The song also delves into the dichotomy between intellectual pursuits and hedonistic lifestyles. The protagonist's disdain for the superficiality of the scene is evident in lines like 'No me quiero centrar en tu mierda de vida' and 'Que me da un poco igual tu tesis doctoral en el puto garaje.' This juxtaposition of academic achievement with a life of excess and superficiality underscores a broader critique of how society often values appearances over substance. The reference to 'Noches de Baudelaire mañanas de barrendero' further emphasizes this contrast, alluding to the duality of high culture and mundane reality.

Moreover, the song's repeated refrain about incessant talking ('Y hablar y hablar y volver a hablar') serves as a metaphor for the emptiness of these social interactions. The protagonist's frustration with the endless chatter and lack of meaningful communication is palpable, culminating in the sarcastic apology for being 'so normal.' This reflects a broader commentary on the pressure to conform to certain social norms and the alienation that can result from failing to do so. Niña Polaca uses humor and irony to critique the superficiality and pretentiousness of certain social circles, ultimately questioning the value of these constructed identities.