121

Nog's song '121' is a raw and unfiltered portrayal of life in the streets, blending gritty realism with sharp lyrical prowess. The title '121' refers to Article 121 of the Brazilian Penal Code, which deals with homicide, setting a dark and intense tone for the track. The lyrics paint a vivid picture of the struggles and dangers faced by those living in marginalized communities, where survival often means navigating a world filled with violence and systemic oppression.

The song opens with a powerful metaphor, comparing the beat to a 'plaque da Bitch,' suggesting that the music is a relentless force that crushes everything in its path. This sets the stage for a narrative that delves into the harsh realities of street life, where calmness is a luxury and suspicion is a constant companion. Nog's lyrical style is both acidic and introspective, reflecting a state of mind shaped by conflict and resilience. He likens himself to a sniper, precise and calculated, navigating a world where every move could be a matter of life and death.

Nog also touches on the systemic issues that plague his community, from police brutality to the exploitation of the poor. He criticizes the superficiality of mainstream success, emphasizing the importance of staying true to one's roots and experiences. The reference to Spike Lee, a filmmaker known for his socially conscious work, underscores Nog's commitment to using his art as a form of resistance and truth-telling. The recurring line, 'Seis só dão valor pra água depois que a fonte secou,' serves as a poignant reminder of the often-overlooked value of essential resources and the people who provide them.

'121' is not just a song; it's a powerful commentary on the socio-economic conditions that shape the lives of many. Nog's ability to weave personal experience with broader social critique makes this track a compelling and thought-provoking listen.