Contramão

In 'Contramão,' O Grilo delves into the complexities and contradictions of life, using vivid imagery and reflective lyrics to explore themes of time, memory, and existential angst. The song opens with a contemplation of the transient nature of life, where the wind symbolizes the passage of time and the inevitability of change. The mention of parents and the uncertainty of their well-being highlights a sense of disconnection and the passage of time, suggesting a longing for the past and the relationships that have faded over time.

The lyrics then shift to a more introspective tone, where the artist reflects on their fears and dreams. The juxtaposition of real fears and nightmares underscores the blurred lines between reality and imagination. The reference to cars on the 'marginal' (likely referring to a busy highway) and a past carnival evokes a sense of nostalgia and the passage of time, contrasting the vibrancy of past experiences with the present's mundanity. This imagery serves as a metaphor for the fleeting nature of joy and the inevitability of change.

The chorus, 'Viver um grande amor é coisa de cinema,' suggests a cynical view of love, likening it to something fantastical and unattainable, much like a movie. The repetition of 'Nada novo sob o Sol' (nothing new under the sun) reinforces a sense of disillusionment with the repetitive and unchanging nature of life. The final lines, 'E eu aqui entre o céu e o chão, vendo o planeta girar na contramão,' encapsulate the feeling of being out of sync with the world, caught between aspirations and reality, and observing life moving in the opposite direction. This poignant reflection on life's contradictions and the search for meaning makes 'Contramão' a deeply resonant and thought-provoking song.