Panis Angelicus

Evandro Oliva Evandro Oliva

Divine Nourishment: The Spiritual Essence of 'Panis Angelicus'

Evandro Oliva's rendition of 'Panis Angelicus' is a deeply spiritual and evocative piece that delves into themes of divine grace and humility. The title, which translates to 'Bread of Angels,' sets the tone for the song's exploration of the Eucharist, a central element in Christian liturgy. The lyrics, originally written by Saint Thomas Aquinas, are a hymn that celebrates the transformation of bread into the body of Christ, a miracle that nourishes both the soul and the body of believers.

The opening lines, 'Panis angelicus fit panis hominum,' translate to 'The bread of angels becomes the bread of men,' highlighting the miraculous nature of the Eucharist. This divine bread, 'dat panis coelicus figuris terminum,' or 'gives heavenly bread the end of forms,' signifies the transcendence of earthly forms and the presence of the divine in the mundane. The repetition of 'pauper, servus et humilis,' meaning 'poor, humble servant,' emphasizes the humility required to receive this divine gift, suggesting that spiritual richness is accessible to all, regardless of social status.

The latter part of the song shifts to a prayerful tone, invoking the Holy Trinity with 'Te trina deitas unaque poscimus,' or 'We beseech Thee, Godhead One in Three.' The plea for divine visitation and guidance, 'Sic nos tu visita sicut te colimus,' translates to 'Visit us as we worship Thee,' reflecting a desire for a closer connection with the divine. The final lines, 'Per tua semitas duc nos quo tendimus ad lucem quam in habitas,' meaning 'Lead us through Thy paths to the light in which Thou dwellest,' encapsulate the ultimate spiritual journey towards divine enlightenment and eternal light.

Oliva's performance brings a contemporary sensitivity to this timeless hymn, making its profound spiritual message resonate with modern audiences. The song's rich theological context and its emphasis on humility, divine grace, and the quest for spiritual enlightenment make it a powerful piece of sacred music.

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  1. O Del Mio Dolce Ardor
  2. Mozart: Vesperae Solennes de Confessore, K. 339, Laudade dominum
  3. Verdi: Coro Di Schiavi Ebrei, Va Pensiero, Nabucco
  4. Baba Yetu (Pai Nosso)
  5. Gounod: Sanctus, St. Cecilia Mass, CG 56
  6. Funiculì, Funiculà
  7. John Bennet: Weep, o Mine Eyes
  8. The Flower Duet (Op Lakmè)
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  10. Handel: Judas Macabeo, HWV 63, Canticorum Jubilo
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