Cromosomos

Once Tiros' song 'Cromosomos' delves into the complexities of modern identity and existentialism through a series of vivid metaphors and cultural references. The lyrics paint a picture of individuals grappling with their place in a world that often feels pre-determined and mechanized. The repeated phrase 'Somos amigos de las almas enlatadas' (We are friends of the canned souls) suggests a sense of camaraderie among those who feel trapped or confined by societal norms and expectations. This metaphor extends to other lines, such as 'Somos muñecos que funcionan solo a cuerda' (We are dolls that only work with a wind-up), emphasizing the mechanical and constrained nature of their existence.

The song also touches on themes of rebellion and disillusionment. Lines like 'Somos ateos en un cielo que alguien nos robó' (We are atheists in a heaven that someone stole from us) and 'No hay que hacerla, sino ser la revolución' (You don't have to make it, but be the revolution) reflect a sense of loss and a call to action. The mention of being 'amígdalas de una garganta joven' (tonsils of a young throat) symbolizes the raw, unfiltered voice of youth, urging listeners to embrace their true selves and challenge the status quo.

'Cromosomos' also explores the duality of human nature and the choices we face. The chessboard metaphor in 'En este pequeño tablero de ajedrez, ¿Qué elegis ser? Ser comido o comerte al Rey' (In this small chessboard, what do you choose to be? Be eaten or eat the King) encapsulates the struggle between submission and dominance. The song concludes with a reflection on identity and purpose, suggesting that our actions and choices define who we are: 'Cantamos para que puedas ver, Si somos lo que somos por algo es' (We sing so you can see, If we are what we are, it's for a reason).