Hay un Son

Orishas Orishas

The Rhythmic Heartbeat of Havana: Orishas' 'Hay un Son'

Orishas' song 'Hay un Son' is a vibrant celebration of Cuban culture, music, and identity. The lyrics are a rich tapestry of references to traditional Afro-Cuban religions, such as Santería and Abakuá, and the everyday life in Havana. The song opens with a nod to the wisdom passed down from the singer's mother, advising him to seek guidance from spiritual figures like the babalawo or santera when in need. This sets the tone for a song deeply rooted in cultural heritage and spiritual resilience.

The recurring chorus, 'Hay un son, hay un flow, hay un son que se oye en la Habana,' emphasizes the omnipresence of music in Havana. 'Son' refers to a traditional Cuban music genre that blends Spanish and African influences, while 'flow' suggests a modern, dynamic rhythm. Together, they symbolize the fusion of old and new, tradition and innovation, that characterizes Cuban music. The song paints a picture of Havana as a city where music is an integral part of life, echoing through its streets and shaping its identity.

Orishas, known for their unique blend of hip-hop and traditional Cuban music, use 'Hay un Son' to highlight the enduring spirit of Havana. The lyrics mention various elements of Cuban culture, from boleros and rumbas to the Yoruba heritage, showcasing the rich diversity of influences that make up the city's musical landscape. The song also touches on themes of legacy and remembrance, with lines like 'No me llores cuando yo me muera yo no quiero flores,' suggesting a desire to be remembered for one's contributions rather than mourned. 'Hay un Son' is a powerful ode to the cultural and musical heartbeat of Havana, capturing its essence through a blend of rhythmic beats and soulful lyrics.

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  1. Mujer
  2. Havana 1957
  3. Represent
  4. Que quede claro
  5. Una Palabra
  6. Atrevido
  7. Ausencia
  8. Habana
  9. Cuba Isla Bella (part. Gente de Zona, Leoni Torres, Isaac Delgado, Buena Fe, Descemer Bueno, Laritza Bacallao, Waldo Mendoza & Pedrito Martinez.)
  10. Everyday
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