Só

Oswaldo Montenegro's song 'Só' delves deep into the theme of solitude, exploring it not as a state of loneliness but as a necessary phase for personal reflection and growth. The lyrics express a desire to be alone, not out of disdain for companionship but as a means to process past experiences and find inner peace. Montenegro's poetic language and metaphors, such as 'the same wine glass without a toast,' suggest a longing for simplicity and introspection, free from the distractions of social obligations.

The song also touches on the idea of solitude as a natural and inevitable part of life. Montenegro uses various imagery, like 'the flute of Pan' and 'the blessing of God Tupã,' to convey a sense of spiritual and existential acceptance. The recurring line 'the wind does not bring answers, it’s over' emphasizes the futility of seeking external validation or explanations for life's events. Instead, the song advocates for embracing solitude as a means to find one's own answers and peace.

Furthermore, 'Só' reflects on the universal nature of solitude. Montenegro points out that everyone, from the 'girl with her neighbor' to the 'soldier with his captain,' experiences moments of isolation. The song suggests that rather than fearing solitude, one should learn to love it, as it is an integral part of the human experience. The imagery of a 'wolf howling in the darkness' encapsulates this idea, portraying solitude as both a powerful and natural state. Through 'Só,' Montenegro invites listeners to find solace and even happiness in their moments of solitude, recognizing it as a time for self-discovery and inner strength.