Solidões

Oswaldo Montenegro's song 'Solidões' paints a vivid picture of loneliness through a series of metaphors and similes that evoke a sense of abandonment and desolation. The title itself, which translates to 'Lonelinesses' in English, suggests a multifaceted exploration of the theme, as if loneliness can take on different shapes and forms, affecting various aspects of life. Montenegro is a Brazilian musician known for his poetic lyrics and ability to blend different musical styles, often incorporating elements of folk, pop, and classical music into his work.

The lyrics of 'Solidões' describe loneliness as an abandoned city, a bird that has lost its way, and a hand without another to clap, among other poignant images. These metaphors convey the emptiness and lack of connection that characterize the feeling of being alone. Montenegro also touches on social commentary, likening loneliness to a politician's empty promises or an arithmetic problem where zero is the only solution, suggesting a critique of societal values and the superficiality of certain human interactions.

The song's narrative is a collection of scenes that illustrate the different dimensions of loneliness. From the woman ignored on the sidewalk to the poet whose words go unheard, Montenegro emphasizes the invisibility and silence that often accompany solitude. The imagery of a mulata's dance going unnoticed at a party that has grown dull further illustrates the disconnect between individuals and their environments. 'Solidões' is a reflection on the human condition, a reminder of the importance of connection, and a call to recognize and address the loneliness that can exist in ourselves and others.