The Fruits

Paris Paloma's song "The Fruits" delves into themes of temptation, sin, and the complex dynamics of power and submission. The lyrics draw heavily on biblical imagery, particularly the story of Eve and the original sin, to explore a relationship that is both alluring and destructive. The narrator questions whether her lover is the devil, suggesting a deep, almost sacrilegious devotion that overrides traditional religious worship. This sets the stage for a narrative where love and sin are intertwined, and the act of falling from grace is both a personal and shared experience.

The song's protagonist is portrayed as a fallen angel, someone who has already tripped off a precipice long ago. This fall is not just a loss of innocence but a conscious embrace of sin, as she admits to being too busy committing sins to seek confession. The relationship described is one of mutual corruption; the narrator acknowledges her role in leading her partner away from faith, yet she also feels the grip of his hands around her throat, symbolizing a struggle for control and dominance. The garden imagery evokes the Garden of Eden, where the original sin took place, suggesting that this relationship is a reenactment of that primordial fall.

The lyrics also touch on themes of gender and power. The narrator reflects on how her virtue was stolen and how her being born a daughter rather than a son has shaped her experiences. There is a sense of bitterness and defiance as she describes how her partner enjoys the fruits of her labor, a metaphor for the sacrifices and suffering she has endured. The song ends on a note of resignation, with the narrator on her knees, not in prayer, but in a role that pleases her partner, highlighting the ongoing cycle of submission and transgression. This complex interplay of religious imagery, gender dynamics, and the struggle for power makes "The Fruits" a deeply thought-provoking and emotionally charged song.