Spell

Patti Smith's 'Spell' is a musical adaptation of Allen Ginsberg's poem 'Footnote to Howl,' a work that celebrates the holiness of all aspects of life. The repetition of the word 'holy' throughout the lyrics emphasizes the sanctity of everything, from the mundane to the extraordinary. Ginsberg's original poem, a part of his larger work 'Howl,' is a cornerstone of Beat Generation literature, known for its raw, unfiltered portrayal of the human experience. By setting this poem to music, Smith amplifies its message, creating a powerful auditory experience that underscores the poem's themes of universal sanctity and interconnectedness.

The lyrics declare the holiness of various elements of life, from the physical body ('The skin is holy! The nose is holy!') to everyday objects ('The typewriter is holy the poem is holy'). This inclusive view extends to people from all walks of life, including 'the bum,' 'the madman,' and 'the unknown buggered and suffering beggars.' By doing so, the song challenges societal norms and hierarchies, suggesting that divinity is inherent in all beings and things, regardless of their status or condition. This radical inclusivity is a hallmark of both Ginsberg's and Smith's work, reflecting their shared belief in the intrinsic value of every individual.

The song also touches on the holiness of various places and experiences, from 'the solitudes of skyscrapers and pavements' to 'the mysterious rivers of tears under the streets.' This suggests a deep reverence for both the natural and urban environments, as well as the emotional landscapes that people navigate daily. The mention of cities like New York, San Francisco, and Paris, alongside abstract concepts like 'time in eternity' and 'the fourth dimension,' further broadens the scope of what is considered holy. In this way, 'Spell' serves as a reminder of the sacredness that permeates every aspect of existence, encouraging listeners to find divinity in the world around them.