O Patrão Mandou

Paulinho Soares' song "O Patrão Mandou" is a sharp critique of cultural imperialism and the subjugation of local traditions by foreign influences. The lyrics are laced with irony and satire, highlighting how the 'boss'—a metaphor for foreign powers or local elites influenced by them—dictates the terms of cultural expression. The repeated phrase "Everybody macacada" is a derogatory term that underscores the dehumanizing view of the masses, likening them to monkeys who must follow orders without question.

The song's references to serving whiskey with feijoada, a traditional Brazilian dish, and removing samba from the charts, illustrate the absurdity and disrespect of imposing foreign customs on local traditions. This imposition is not just a cultural affront but also a form of control, as the 'boss' decides what is acceptable and what is not. The mention of iconic Brazilian figures like Pelé and Rivelino being used as mere propaganda tools further emphasizes the exploitation and commodification of local culture for foreign or elite interests.

Soares also touches on the economic aspects of this domination, with the 'boss' being the one who 'gives the cards' in the game, always coming out on top. The imagery of the 'tico-tico' bird pecking at the cornmeal symbolizes the constant interference and exploitation by those in power. By blending humor with biting social commentary, "O Patrão Mandou" serves as a powerful critique of how cultural and economic forces can manipulate and diminish local identities, urging listeners to recognize and resist these influences.