A Letter to a Mother: Dreams and Disillusionment in Paulo Flores' 'A Carta'

Paulo Flores' song 'A Carta' is a poignant and introspective letter from a son to his mother, reflecting on the harsh realities of life in Angola. The song opens with the son reassuring his mother of his well-being, despite the challenges he faces. He describes a society where power dynamics are stark, and the struggle for survival is evident. The reference to 'medicina ainda é o feitiço' (medicine is still a spell) and 'doutrina cura os infiéis desiludidos' (doctrine cures the disillusioned infidels) suggests a reliance on traditional beliefs and religious practices as a means of coping with life's difficulties.

The song delves into the socio-economic disparities and the rapid urbanization that is transforming the cityscape. The imagery of 'prédios, gruas, damas semi-nuas' (buildings, cranes, semi-nude ladies) paints a picture of a city in flux, where progress often tramples over the dreams and aspirations of the older generation. The son laments the loss of innocence and the disillusionment that comes with growing up in such an environment. He expresses a desire to change the world, a dream that now seems distant and unattainable.

'A Carta' also touches on the impact of modernity and media on societal values. The son criticizes the 'conteúdos estéreis da nova televisão' (sterile contents of the new television) and the superficiality of contemporary culture. He observes how people, including 'patos natos damas com altos saltos' (natural-born ducks, ladies in high heels), navigate this new world, often losing their way. Despite the disillusionment, the son holds on to his love for his mother and his homeland, vowing to fight for a better future. The song is a heartfelt reflection on the complexities of modern life, the erosion of traditional values, and the enduring hope for change.

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  1. Njila Ia Dikanga
  2. Makalakato
  3. Boda
  4. Cabelos da Moda
  5. Marika
  6. A Carta
  7. Jeito Alegre de Chorar
  8. Gepe
  9. Kunanga de Amor
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