Don't Touch Me Tomato

Phyllis Dillon's song 'Don't Touch Me Tomato' is a playful yet assertive tune that uses clever metaphors to discuss personal boundaries and respect. The repeated refrain, 'Please mister, don't you touch me tomato,' serves as a metaphor for the singer's insistence on maintaining her personal space and autonomy. The tomato, in this context, symbolizes something precious and off-limits, while other fruits and vegetables mentioned, like pumpkins and potatoes, represent areas where the singer is more comfortable with interaction. This clever use of everyday items to convey deeper meanings is a hallmark of Dillon's lyrical style, blending humor with serious undertones.

The song's lyrics also highlight the frustration and exhaustion that come with constant unwanted advances. Lines like 'All you do is feel up, feel up / Ain't you tired of feel up, feel up' and 'All you do is squeeze up, squeeze up / Ain't you tired of squeeze up, squeeze up' emphasize the repetitive and tiresome nature of these intrusions. Dillon's delivery, combined with the upbeat rhythm, creates a contrast that underscores the seriousness of the message while keeping the tone light and engaging. This duality is a testament to her skill as a performer and her ability to address significant issues in an accessible manner.

Phyllis Dillon, often referred to as the 'Queen of Rocksteady,' was known for her contributions to the Jamaican music scene in the 1960s and 1970s. Her music often blended elements of rocksteady, reggae, and ska, creating a unique sound that resonated with many. 'Don't Touch Me Tomato' is a prime example of her ability to infuse her songs with cultural relevance and personal empowerment. The song encourages listeners to respect boundaries and understand the importance of consent, all while enjoying a catchy and memorable tune.