Bad Bitch from Tokyo (Intro)

Pop Smoke's 'Bad Bitch from Tokyo (Intro)' serves as a powerful opening to his album, encapsulating the essence of his lifestyle and the themes that permeate his music. The song is a vivid portrayal of luxury, danger, and resilience, all wrapped up in a short but impactful track. The repetitive 'Yeah, yeah' at the beginning sets a hypnotic tone, drawing listeners into his world.

The lyrics paint a picture of opulence and international flair, with references to a 'bad bitch from Tokyo' and 'drip from Italy.' These lines highlight Pop Smoke's global influence and his taste for the finer things in life. The mention of 'smokin' Runtz in Rome' and 'Christian Dior' further emphasizes his luxurious lifestyle. However, this opulence is juxtaposed with the harsh realities of his life, as he mentions carrying a 'big thirty-eight' and not 'toting no twenty-twos,' indicating a need for protection and the ever-present danger in his world.

The song also delves into themes of loyalty and survival. Pop Smoke recounts looking his killer in the eyes and his friend's triumph in court, which underscores the constant threat of violence and the importance of brotherhood in his life. The imagery of his friend walking out of court and hopping into a Wraith symbolizes victory and resilience in the face of adversity. This blend of luxury and danger, loyalty and survival, creates a compelling narrative that resonates with listeners and offers a glimpse into the complex life of Pop Smoke.