Orgy of the Damned
Proclamation
The Dark Mythos of 'Orgy of the Damned'
Proclamation's 'Orgy of the Damned' delves into a dark and mythological narrative, drawing heavily from ancient and esoteric lore. The song opens in the 'valley of Gehinom,' a reference to Gehenna, a term often associated with a place of punishment or hell in various religious texts. This sets the stage for a tale steeped in horror and the supernatural. The lyrics describe a grotesque scene where a monstrous female figure, once a 'graceful abominatrix,' now devours infants and spawns demonic offspring. This character is likely inspired by Lilith, a figure in Jewish mythology who is often depicted as a demoness and the mother of incubi and succubi.
The song's imagery is vivid and disturbing, painting a picture of a nightmarish landscape filled with 'obscure grottos of Hades' and 'pestilent fluids and stygian smog.' The 'Primordial mother' who 'rejected the first of men' further cements the connection to Lilith, who, according to some traditions, was Adam's first wife before Eve and was cast out for her refusal to submit. The lyrics also mention 'fornication with archfiends,' adding layers of blasphemy and taboo to the narrative. This orgy of the damned is not just a physical act but a symbolic one, representing the ultimate rebellion against divine order and purity.
The song also touches on the human response to such malevolent forces. The mention of 'mortals place idols and charms near the stillborn as protection from her damnation' reflects ancient practices of using talismans to ward off evil. The 'perverted adorers' who 'bless her impure maternity' highlight a cult-like worship of this dark mother figure, turning the song into a commentary on the allure of forbidden and destructive forces. Proclamation's brutal and unrelenting musical style amplifies the song's themes, making 'Orgy of the Damned' a visceral exploration of myth, horror, and the human fascination with the macabre.