INTRO - SPEECH CRUZZI
Quevedo
Dreams of Canary Islands' Musical Ascendancy
In "INTRO - SPEECH CRUZZI," Quevedo paints a vivid picture of his dreams and aspirations for the music scene in the Canary Islands. The song begins with a nostalgic reflection on a dream he had ten years ago, where he envisioned a future where local artists from the Canary Islands would be widely recognized and celebrated. He imagines a world where people on buses are listening to Canary Island artists, and familiar voices are heard in public spaces, such as parking lots and radio stations.
Quevedo's dream extends to everyday life, where the music of Canary Island artists permeates various aspects of society. He envisions their songs playing in supermarkets, on mothers' phones as they pick up their children from school, and during breaks at basketball games. This imagery highlights his desire for the music of his homeland to become an integral part of daily life, reaching a wide and diverse audience.
The song also touches on the success and recognition that Quevedo hopes for his fellow artists. He dreams of gold records, number one hits, and a Canary Island artist releasing the album of the year. The repetition of "yeah-yeah-yeah" and the mention of his collaboration with Linton emphasize his excitement and determination to achieve these dreams. The closing lines, "La mente rozando el sky," suggest that his mind is reaching for the sky, aiming high and striving for greatness. Through this song, Quevedo not only shares his personal aspirations but also inspires a sense of pride and ambition within the Canary Islands' music community.