La Batea I

Quilapayún Quilapayún

The Dance of Political Struggles in 'La Batea I'

Quilapayún's song 'La Batea I' is a vivid portrayal of the political turbulence in Chile during the 1970s. The song uses the metaphor of a 'batea,' a traditional washing basin, to symbolize the constant movement and instability in the country. The lyrics describe how the water in the batea sways, mirroring the political unrest and the shifting dynamics between the government and the opposition.

The song criticizes the right-wing factions, particularly the group 'Patria y Libertad,' for their conspiracies and attempts to destabilize the government. The line 'la derecha conspirando, qué barbaridad' highlights the frustration with these subversive actions. The mention of 'Uspallata,' a mountain pass between Argentina and Chile, symbolizes the escape of the opposition, suggesting that their influence is waning and they are being driven out. This is seen as a moment of triumph for the people, as indicated by the repeated phrase 'qué felicidad.'

Furthermore, the song touches on the sabotage of agriculture, a critical issue for a country heavily reliant on its agricultural sector. The line 'sabotear la agricultura, qué fatalidad' underscores the detrimental impact of these political machinations on everyday life. The reference to 'verduras' (vegetables) becoming 'chuecura' (crooked) serves as a metaphor for the corruption and distortion of society caused by these actions. Through its powerful imagery and poignant lyrics, 'La Batea I' captures the essence of a nation grappling with political strife and the hope for a better future.

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  1. La Batea I
  2. La Muralla
  3. Canción Final
  4. Canción Final de La Cantata Santa Maria
  5. Todos Vuelven
  6. Discurso Del Pintor Roberto Matta
  7. Dónde Está El Que Yo Quiero?
  8. Relato
  9. A Mi Palomita
  10. Vamos Mujer
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