Enquanto a Igreja Canta Santo
Rafael Oliveira
Awaiting the Divine: An Analysis of 'Enquanto a Igreja Canta Santo'
The song 'Enquanto a Igreja Canta Santo' by Rafael Oliveira is a powerful expression of Christian eschatology, which is the part of theology concerned with the final events of history, or the ultimate destiny of humanity, commonly referred to as the end of the world. The lyrics describe a scene where the faithful have been taken up to heaven in the Rapture, an event in Christian belief where believers are said to be taken up to meet Christ in the air. The song paints a vivid picture of empty churches and missing congregations, emphasizing the suddenness of this event with the phrase 'num piscar de olhos' or 'in the blink of an eye'.
The song also references the 'Leão da tribo de Judá' (Lion of the tribe of Judah), a title for Jesus Christ found in the Book of Revelation, symbolizing his authority and kingship. The repetition of this phrase, along with the mention of the 'Descendente de Davi' (Descendant of David), reinforces the messianic qualities of Jesus and his role as the righteous ruler who loves justice and hates iniquity. The lyrics call for the Earth to tremble before the majesty of Jesus, suggesting a powerful and transformative presence.
The latter part of the song shifts to a more personal reflection, with the singer expressing a desire to be closer to God, to see His face, and to be purified of all that is not of Him. The call for Jesus to 'cresça' (increase) and 'apareça' (appear) is a plea for spiritual growth and for Christ to become more present in the singer's life and in the world. The song is a call to vigilance and faithfulness, urging listeners to live in a way that prepares them for the eventual return of Christ.