Areia da Ampulheta
Raul Seixas
The Sands of Time: A Reflection on Identity and Existence
Raul Seixas' song 'Areia da Ampulheta' delves deep into the complexities of human identity and existence. The recurring metaphor of 'areia da ampulheta' (sands of the hourglass) symbolizes the passage of time and the inevitability of change. Seixas uses this imagery to explore various facets of his own identity, as well as the broader human condition. He describes himself as 'the lighter side of the scale,' 'the cultivated ignorant,' and 'the unconscious rabid dog,' among other paradoxical identities. These lines suggest a struggle with self-perception and the dualities that exist within each person.
The song also touches on themes of societal roles and expectations. Seixas refers to himself as 'the daily ox served on plates' and 'the cornered street kid,' highlighting the ways in which individuals are often trapped by their circumstances. The mention of being 'the drunkard unloved' and 'the sad-happy trained' further emphasizes the conflict between societal norms and personal desires. These lines paint a picture of a man who feels out of place and misunderstood, yet resigned to his fate.
In the final verses, Seixas broadens his scope to include a more existential perspective. He speaks of ignorance regarding the existence of other states and the roundness of the planet, suggesting a lack of awareness or understanding of the larger world. Despite this, he declares, 'I am the sand of the hourglass,' embracing his role in the grand scheme of things. The song concludes with a powerful statement of unity: 'I am, I am you,' implying that these struggles and contradictions are universal experiences shared by all of humanity.