I Took Your Name

R.E.M. R.E.M.

Identity and Accountability in R.E.M.'s 'I Took Your Name'

R.E.M.'s song 'I Took Your Name' delves into themes of identity, control, and accountability. The lyrics paint a picture of someone who has adopted another's identity, taking on their name, actions, and responsibilities. The repeated question, 'Who's to blame?' suggests a struggle with the consequences of these actions and the confusion that arises from such a deep level of impersonation. The protagonist's actions, such as signing a living will and smiling another's face, indicate a complete immersion into another's life, raising questions about personal responsibility and the loss of self.

The song's verses are filled with vivid imagery and metaphors. Lines like 'I pushed the button and erased your master tape' and 'I dragged your big ass daddy roth car out of that ditch' suggest a sense of power and control over the other person's life. These actions symbolize the protagonist's ability to alter and manipulate the course of another's existence, further complicating the question of blame. The reference to 'NASA in outer space' and 'blowing circuits wide' adds a layer of technological and cosmic scale to the narrative, emphasizing the vastness and complexity of the situation.

In the bridge, the protagonist offers to be an 'albatross, Devil, dog, Jesus, God,' indicating a willingness to take on any role necessary, even if it means becoming someone they do not want to be, like 'Iggy Pop.' This highlights the lengths to which the protagonist is willing to go to maintain this adopted identity, and the internal conflict it causes. The song ultimately leaves the listener pondering the nature of identity and the consequences of living through another's persona, making it a thought-provoking piece on personal and moral accountability.

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  1. Losing My Religion
  2. It's The End Of The World As We Know It (And I Feel Fine)
  3. Half A World Away
  4. Bang And Blame
  5. Shiny Happy People
  6. So Fast So Numb
  7. I'll Take The Rain
  8. Clocks On The Pussy
  9. Low
  10. Leave
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