Get To Poppin

Rich Boy's 'Get To Poppin' is a raw and unfiltered portrayal of street life, capturing the hustle, the grind, and the inherent dangers that come with it. The song's chorus, with its repetitive call to 'get down' when 'niggas get to poppin,' sets the tone for a narrative steeped in the realities of urban survival. The phrase 'get to poppin' is a colloquialism for gun violence, suggesting a need to stay alert and ready for conflict at any moment.

The verses delve into the materialistic aspects of street culture, highlighting the importance of money, cars, and status symbols. Rich Boy boasts about his wealth and success, contrasting it with the struggles of those who envy him. Lines like 'Money, cars, stars, they be ballin' and '35-thousand dollar watch, 100-thousand dollar drop' emphasize the opulence that comes with making it big in the streets. However, this success is not without its pitfalls, as jealousy and violence are constant threats. The artist's mention of 'niggas hate'n on me for da hoes dat I got' underscores the envy and animosity that can arise from such a lifestyle.

Rich Boy also touches on the darker side of street life, including drug dealing and violence. References to 'crack, rock, da block is hot' and 'dem boys killin' paint a vivid picture of the dangerous environment he navigates. The song's gritty realism is further amplified by the artist's unapologetic attitude towards those who oppose him, as seen in lines like 'You snitch ass nigga, bitch ass nigga, mess around, getcha self killed little nigga.' This no-holds-barred approach to storytelling provides a stark look at the survival instincts required to thrive in such a harsh world.

Overall, 'Get To Poppin' is a testament to the resilience and resourcefulness needed to succeed in the streets. It captures the duality of street life—the allure of wealth and status, and the ever-present danger that comes with it. Rich Boy's vivid lyrics and unflinching honesty make this song a powerful commentary on the complexities of urban existence.