Criminal

Riki Musso's song 'Criminal' presents a complex interplay of resignation and rebellion, encapsulated in a series of paradoxical statements. The lyrics suggest a sense of futility in the face of societal norms and the legal system, which the artist refers to as 'criminal.' The repetition of this word emphasizes a deep dissatisfaction with the established order and a perception that the law itself perpetrates injustice or restricts personal freedom.

The song's verses depict a character who seems to embrace a form of passive resistance. Phrases like 'Yo no pierdo, Yo me dejo ganar' (I don't lose, I let myself be won) and 'Yo no duermo, Solo cambio de lugar' (I don't sleep, I just change places) suggest a deliberate non-conformity to societal expectations. The character does not actively seek change but rather adapts and mutates, refusing to be pinned down or defined by external forces. This could be interpreted as a metaphor for the artist's own approach to life and creativity, constantly evolving and resisting categorization.

Musso's use of the phrase 'Criminal la Trampa' (Criminal the Trap) could be a critique of how societal structures can entrap individuals, forcing them into a cycle of consumption and redundancy, as indicated by the lines about buying and discarding items. The song's anarchic tone is further reinforced by the character's refusal to follow conventional paths, building bridges they don't intend to cross, and flying under the water—a poetic way of expressing nonconformity and the desire to find unique ways of living.