Sete Marias

The song 'Sete Marias' by Rita Benneditto is a vibrant and mystical tribute to the Afro-Brazilian religious figures known as Pomba Gira. These entities are often associated with the practice of Umbanda and Candomblé, religions that blend African traditions with elements of Catholicism and indigenous beliefs. The lyrics evoke imagery of a ritualistic setting, where the Pomba Gira spirits manifest and interact with the physical world.

The song begins with the striking of midnight and the appearance of Pompa Gira at a crossroads, a place traditionally associated with the supernatural and transformation. The mention of 'Figueira,' 'Mulambo,' and 'Padilha do cabaré' refers to different manifestations of Pomba Gira, each with their own characteristics and domains. The 'Sete encruzilhadas do cemitério' or 'Seven Crossroads of the Cemetery' further emphasizes the connection to the spiritual realm and the power these entities hold over life and death. The chorus 'Isso é que é mulher' (This is what a woman is) celebrates the feminine strength and independence embodied by Pomba Gira.

The song also describes the rituals and offerings made to Pomba Gira, such as the 'marafo' (an alcoholic offering), roses, and the 'baralho' (cards used for divination). The repeated phrase 'É só pedir que ela dá' (Just ask and she gives) highlights the belief that Pomba Gira can grant requests if approached with respect and faith. The laughter of Exu, another entity from Afro-Brazilian religions, at the end of the song, symbolizes the joy and complexity of these spiritual practices. 'Sete Marias' is not just a song, but an invocation and celebration of the mystical powers of Pomba Gira and the rich cultural tapestry of Afro-Brazilian spirituality.