Bwana

Rita Lee's song 'Bwana' is a fascinating exploration of devotion, love, and liberation. The term 'Bwana' is Swahili for 'master' or 'boss,' and in this context, it represents a figure of authority or a beloved to whom the singer is deeply devoted. The lyrics convey a sense of willing submission and dedication, as the protagonist describes herself as a 'woman robot' who is 'remote-controlled by passion.' This metaphor suggests a loss of autonomy driven by intense love, portraying the singer as someone who finds joy and purpose in fulfilling the desires of her 'Bwana.'

The recurring theme of 'volúpia,' which translates to 'lust' or 'voluptuousness,' underscores the passionate and almost hedonistic nature of this relationship. The singer's pleasure is derived from satisfying her beloved, and she acknowledges her inability to stop this behavior, indicating a kind of addiction to the emotional and physical gratification she receives. This dynamic is further emphasized by the lines 'Te satisfazer é o meu prazer' (To satisfy you is my pleasure), highlighting the singer's complete immersion in her role.

However, the song also touches on themes of salvation and transformation. The repeated farewell to the 'sarjeta' (gutter) signifies a departure from a life of degradation or hardship. The 'Bwana' figure is credited with saving the singer, suggesting that this relationship has brought her out of a dark place and given her a new sense of purpose. Despite the seemingly submissive role, the singer asserts her agency by stating she does everything out of love, not for any material reward. This duality of submission and empowerment makes 'Bwana' a complex and intriguing song that delves into the depths of human emotion and relationships.