Jardins da Babilônia

Rita Lee's 'Jardins da Babilônia' is a song that weaves a tapestry of defiance and resilience in the face of adversity. The title itself references one of the Seven Wonders of the Ancient World, the Hanging Gardens of Babylon, which symbolizes a lost paradise or a grandeur that has been suspended, much like the dreams and aspirations that can be crushed by life's harsh realities. Lee uses this metaphor to express her refusal to be brought down by the suspension of her own 'gardens' or personal utopias.

The lyrics suggest a strong-willed character who, instead of succumbing to despair, chooses to spread her wings and rise above the challenges. The phrase 'Quem não chora dali, não mama daqui' is a Brazilian saying that roughly translates to 'no crying, no suckling,' implying that one must speak up or act to get what they need or desire. This is a call to action, encouraging listeners to be proactive and not to settle for complacency. Lee's declaration that her 'nerves are made of steel' further emphasizes her determination and toughness in the face of obstacles.

The song also touches on the idea of spectacle and the public's reaction to someone's struggles. The metaphor of a circus where the clown laughs and the audience cries reflects the often voyeuristic nature of society, where people's misfortunes can become entertainment. Despite this, the protagonist vows to 'hold the bar,' a Brazilian expression for enduring difficulties, indicating a commitment to persevere regardless of the 'weight of the world.' Rita Lee's message is clear: life may suspend your gardens, but you have the power to fly above them.