Pagu (feat. Zélia Duncan)

Rita Lee's song 'Pagu' is a powerful anthem of self-assertion and a critique of societal expectations, particularly those placed upon women. The lyrics, which feature a collaboration with Zélia Duncan, are a tribute to the Brazilian feminist icon Patrícia Galvão, known as Pagu, who was an influential figure in the 1920s and 1930s. The song uses Pagu's rebellious spirit to challenge stereotypes and assert the singer's own identity.

The opening lines reference the Inquisition and the burning of those deemed heretics, drawing a parallel to the persecution of women who defy societal norms. The phrase 'Só quem já morreu na fogueira / Sabe o que é ser carvão' suggests that only those who have faced such trials can understand the pain of being reduced to ashes, both literally and metaphorically. The song's chorus, 'Nem toda feiticeira é corcunda / Nem toda brasileira é bunda,' directly confronts the objectification of women, stating that not all women conform to the stereotypes of witches or are defined by their bodies.

Rita Lee's lyrics emphasize individuality and strength, rejecting labels such as 'freira' (nun) or 'puta' (whore), which are often used to confine women to specific roles. The bold declaration 'Sou mais macho que muito homem' is a provocative way to claim power and resilience, traditionally seen as masculine traits, for herself and by extension, for all women. The song's energetic rhythm and defiant tone make it an empowering call to break free from constraints and to embrace one's true self.