Arrombou a Festa II

Rita Lee's song "Arrombou a Festa II" is a satirical and humorous critique of the state of Brazilian Popular Music (MPB) during the late 20th century. The lyrics are filled with references to various artists and trends that were prominent at the time, showcasing Lee's sharp wit and critical eye. The song opens with a lament about the perceived decline of MPB, questioning what has happened to the genre and why it has strayed from its roots. This sets the tone for the rest of the song, which is a playful yet pointed commentary on the commercialization and changing landscape of Brazilian music.

Throughout the song, Lee name-drops several artists, both praising and poking fun at them. For instance, she mentions Alcione, a renowned samba singer, highlighting her talent but also noting her outspoken nature. Similarly, she references Fafá de Belém, known for her powerful voice and physical presence, and Cauby Peixoto, a classic crooner, to illustrate the diverse and sometimes incongruous elements that have come to define MPB. The mention of Sidney Magal, a pop singer known for his flamboyant style, and Chico Buarque, a respected MPB artist, further underscores the contrast between different musical styles and personas within the genre.

The song also touches on the influence of foreign music trends, such as disco, and the enduring legacy of Brazilian icons like Carmen Miranda. Lee's own role in the music scene is humorously acknowledged, as she notes that she has once again "crashed the party" to make a statement. The playful chorus and interjections, like "Ziri, ziriguidum" and "Skindô, skindô lelê," add to the song's festive yet critical tone. Ultimately, "Arrombou a Festa II" serves as both a celebration and a critique of MPB, reflecting Rita Lee's unique position as an insider who is not afraid to challenge the status quo.