Ligia (Dueto com Tom Jobim)

In 'Ligia,' Roberto Carlos, accompanied by Tom Jobim, delves into the complexities of unrequited love and the emotional turmoil it brings. The song's lyrics paint a picture of a man who is deeply conflicted about his feelings for a woman named Ligia. He starts by listing all the things he supposedly doesn't like or hasn't done, such as going to the cinema, enjoying samba, or visiting Ipanema. This list serves as a metaphor for his attempts to distance himself from Ligia and the emotions she stirs within him. Despite his efforts to remain detached, he inadvertently calls her, revealing his underlying longing and confusion.

The second verse continues this theme of denial and self-deception. The narrator claims he never wanted to spend time with Ligia, whether it's enjoying a cold beer in Copacabana or walking along the beach to Leblon. However, he admits that when he fell in love, it was nothing more than an illusion. This admission highlights the internal conflict between his desire for Ligia and his realization that their love is unattainable. The act of tearing up her name and turning his feelings into a samba-canção (a traditional Brazilian song) symbolizes his attempt to cope with the pain through art and music.

The final verse brings a sense of resignation and fear. Ligia's presence, described with 'strange ways' and 'brown eyes,' evokes a sense of dread in the narrator. Her eyes, more intimidating than a ray of sun, symbolize the overwhelming power she holds over him. Despite his fear, he acknowledges that he will eventually surrender to her embrace, indicating a sense of inevitability in his emotions. The song beautifully captures the paradox of love—how it can be both a source of immense joy and profound fear, especially when it remains unreciprocated.