Ao povo em forma de arte

Roberto Ribeiro Roberto Ribeiro

The Legacy of African Culture in Brazilian Art

Roberto Ribeiro's song "Ao povo em forma de arte" is a profound homage to the enduring influence of African culture on Brazilian society. The lyrics delve into the historical roots of African art and its significant impact on various aspects of life, from ancient civilizations to modern-day Brazil. Ribeiro begins by referencing the Quilombo, communities established by escaped slaves in Brazil, which symbolize resilience and cultural preservation. These communities are depicted as researchers of their roots, showcasing their findings through popular art forms.

The song traces the origins of African art back more than forty thousand years, highlighting its early brilliance. Ribeiro mentions the ancient Ethiopian culture, which extended its influence to Egypt, and the subsequent recognition of Africans by the Greeks. He also touches on the grandeur of African kingdoms, which boasted superior cultural levels but were ultimately destroyed by the forces of ambition and colonization. This historical context sets the stage for understanding the deep-seated cultural heritage that African descendants brought to Brazil.

Ribeiro emphasizes the pervasive influence of African culture on national culture, art, and even science in Brazil. Despite facing centuries of oppression and hardship, Afro-Brazilians have fought to preserve their heritage and integrate into Brazilian society without losing their roots. The song celebrates the Quilombo's role in parading this rich history and cultural legacy, presenting it to the people in the form of art. Through this artistic expression, Ribeiro underscores the importance of remembering and honoring the contributions of African culture to the fabric of Brazilian identity.

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  1. Quem Te Viu, Quem Te Vê (feat. Chico Buarque)
  2. A Paixão e a Jura
  3. Estrela de Madureira
  4. Mel Pra Minha Dor (feat. Alcione)
  5. Propagas
  6. Todo Menino É Um Rei
  7. Amor de Verdade
  8. Malandros Maneiros
  9. Nunca Mais
  10. Pá-nela
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