Matagal 4

Rods Wires' song 'Matagal 4' is a vibrant and raw depiction of street life, capturing the essence of urban struggles and the resilience of those who navigate them. The repetitive phrase 'Dja bu sabi e kenha' (You already know who it is) sets the tone, emphasizing the artist's identity and the collective strength of his community. This mantra-like repetition serves as a reminder of their presence and influence, asserting their place in the urban landscape.

The lyrics delve into the daily grind and the challenges faced by those living on the fringes of society. References to 'bandido' (bandit) and 'mudjer discasa marido' (woman divorces husband) paint a picture of a world where survival often means bending or breaking the rules. The mention of 'Matagal' causing noise and the vivid imagery of a 'pikenna fazi gemido' (girl moaning) suggest a chaotic environment where personal and social turmoil are ever-present. This chaos is not just external but internal, as seen in the lines about a 'cabesa e tinha chipado' (head being chipped), indicating mental strain and the constant pressure to stay alert and survive.

The song also touches on themes of loyalty and defiance. The repeated assertion that 'nu sta cumi sa bebi sem furta sem pidi pistado' (we eat and drink without stealing or asking for loans) highlights a code of honor among the community members. Despite their hardships, they maintain a sense of integrity and self-reliance. The chorus, with its call to 'pan dal teson' (give it your all), serves as a rallying cry, urging listeners to persevere and stay strong in the face of adversity.

'Hoji nu sa roda so na ruti bandido' (Today we are just in the bandit routine) encapsulates the cyclical nature of their struggles, while the repeated calls to 'nou ko para nou' (we won't stop) reflect an unyielding spirit. The song's references to various locations, from the capital to Bragança, underscore the widespread nature of these experiences, making 'Matagal 4' a powerful anthem for those who live and thrive in the margins of society.