El Gall Negre

Roger Mas's song "El Gall Negre" is a captivating piece that delves into themes of resistance, defiance, and the struggle against authority. The lyrics tell the story of a group of people who encounter a black rooster at the door of a place in Solanell on the day of Pentecost. The rooster, a symbolic figure, challenges them and warns them to leave if they do not wish to participate in the rosary, a religious ritual. This confrontation sets the stage for a deeper exploration of the tension between the group's desire for autonomy and the imposition of religious authority.

The black rooster, or "gall negre," serves as a powerful metaphor for resistance. Its appearance at the door, described as "half in a shirt," suggests a state of readiness and defiance. The repeated refrain, "Fora d'aquí, fora d'aquí, fora d'aquí," which translates to "Out of here, out of here, out of here," emphasizes the rooster's role as a guardian of tradition and enforcer of conformity. However, the group's response, marked by their assertion that they had reason and made a great resistance, highlights their determination to stand against the pressures of conformity and authority.

The song also touches on the theme of justice and the consequences of defiance. The rooster's warning that justice will remove them if they do not leave voluntarily underscores the potential repercussions of resisting authority. Yet, the group's acknowledgment of their resistance and the mention of the priest with a stick suggest a historical or cultural context where such struggles were common. Roger Mas, known for his poetic and often socially conscious lyrics, uses this narrative to reflect on broader themes of power, control, and the human spirit's resilience.

"El Gall Negre" is a rich tapestry of symbolism and cultural references, inviting listeners to reflect on their own experiences with authority and resistance. The song's repetitive structure and vivid imagery create a haunting and memorable listening experience, making it a standout piece in Roger Mas's repertoire.